Helmut Newton and Ferdinando Scianna, two masters of images on show between Caraglio and Saluzzo

From Oct. 23, 2025 to March 1, 2026, the province of Cuneo will host two main images exhibitions, “Helmut Newton. Interweaving” on the Filatoio di Caraglio and “Ferdinando Scianna. Fashion, Life” on the Castiglia di Saluzzo. A double journey that compares two complementary seems at trend.

The province of Cuneo is getting ready to host two vital occasions devoted to auteur images: the truth is, the autumn of 2025 brings to the stage two absolute protagonists of the twentieth century, particularly Helmut Newton (Berlin, 1920 – Los Angeles, 2004) and Ferdinando Scianna (Bagheria, 1943).

From October 23, 2025 to March 1, 2026, the Caraglio Spinning Mill will host the exhibition Helmut Newton. Interweaving, whereas the Castiglia di Saluzzo hosts, from October 24, 2025 to the identical cut-off date, the solo exhibition Ferdinando Scianna. Fashion, Life. Two distinct paths however conceived in shut curatorial connection, able to providing the general public a complementary have a look at the theme of trend: on the one hand the theatrical and provocative language of Newton, on the opposite the human and narrative dimension of Scianna.

The Spinning Mill of Caraglio, one in all Europe’s most vital historical silk factories of the seventeenth century and now a cultural middle and residential to the Piedmontese Silk Factory Museum, hosts multiple hundred pictures by Helmut Newton, a few of them beforehand unpublished. The exhibition, curated by Matthias Harder, director of the Helmut Newton Foundation in Berlin, brings collectively photos from the photographer’s prestigious collaborations with worldwide manufacturers similar to Yves Saint Laurent, Wolford, Ca’ del Bosco, Blumarine, Absolut Vodka and Lavazza. The exhibition opens with a number of pictures which have consecrated Newton among the many undisputed masters of trend images, highlighting the writer’s skill to assemble ambiguous and provocative situations, poised between actuality and dream.

His photos are the results of a uncommon complicity with world-famous fashions, together with Monica Bellucci, Nadja Auermann, Kate Moss, Carla Bruni and Eva Herzigová. This relationship of belief, mixed with the esteem he has received from stylists, magazines, and types, has enabled him to remodel shiny images into an revolutionary and theatrical language able to redefining the canons of trend. It is particularly within the transition from editorial to industrial that Newton’s eclecticism emerges, able to tackling giant commissions for the manufacturing world with out ever dropping stylistic coherence. The campaigns created for corporations similar to Lavazza are a working example: whereas engaged on commissions, the writer was capable of keep his radical and iconic type, increasing the boundaries of latest images.

Helmut Newton. Intrecci was conceived particularly for the Filatoio di Caraglio and gives the general public the chance to look at in a single exhibition the evolution of the photographer and his path to worldwide affirmation. The exhibition permits us to know the fixed stress between dreamlike imagery and the concreteness of labor for main manufacturers, between the sensuality of poses and the theatricality of pictures.

Instead, on the Castiglia di Saluzzo, an historical fortress and marquis residence now transformed right into a museum house, comes Ferdinando Scianna. Fashion, Life. Curated by Denis Curti, creative director of Le Stanze della Fotografia in Venice, the exhibition explores one of many lesser-known chapters of the Sicilian photographer’s profession: trend. For Scianna, who was born in Bagheria in 1943 and was the primary Italian to be accepted into the celebrated Magnum Photos company, trend was by no means merely an aesthetic train, however a chance to inform the story of life.

The exhibition brings collectively greater than ninety pictures taken within the late Nineteen Eighties and early Nineties, at a time when Scianna was collaborating with worldwide publications similar to “Vogue,” “Vanity Fair” and “Stern.” At the middle of the exhibition is the enduring marketing campaign for Dolce&Gabbana with mannequin Marpessa, set within the villages of Sicily. In these photos, trend is intertwined with the on a regular basis atmospheres of island life, reworking images from a shiny illustration to an intimate and genuine story.

Scianna approaches trend with the gaze of the photojournalist: ethics and elegance, reminiscence and instinct, literature and images merge in his pictures. In this fashion, the standard fashions of illustration are unhinged and overturned, giving rise to a language through which the picture by no means loses its reference to fact and tradition. His is a images that tells tales, restores atmospheres, and captures particulars that will in any other case stay invisible.

Both exhibitions are promoted and produced by the Artea Foundation. In Caraglio the initiative is organized in collaboration with the municipality, whereas in Saluzzo the venture has each the Foundation and the municipal administration as companions. Two symbolic locations within the Piedmont area, due to this fact, turn out to be the stage for 2 exhibitions of worldwide scope, able to attracting the eye not solely of images fanatics but in addition of a wider viewers all for discovering the dialogue between artwork, historical past and up to date tradition.

Helmut Newton and Ferdinando Scianna, two masters of images on show between Caraglio and Saluzzo

Warning: the interpretation into English of the unique Italian article was created utilizing automated instruments.
We undertake to overview all articles, however we don’t assure the entire absence of inaccuracies within the translation because of the program. You can
discover the unique by clicking on the ITA button. If you discover any mistake,please contact us.