contained in the symmetrical images world of brad partitions

from swimming pools to pointe, brad partitions captures precision from above

Brad Walls doesn’t simply take photographs, he reimagines how we see the world. The Australian-born, New York–based mostly visible artist has carved a distinct segment within the artwork world by means of his signature aerial fashion, turning motion and on a regular basis areas into clear, graphic compositions. Whether it’s ballet dancers, synchronized swimmers, or architectural areas, Walls captures his topics from above, remodeling them into exact, quiet, visible rhythms. His newest sequence, PASSÉ, turns the classical type of ballet into minimalist choreography seen from above, providing a contemporary and sudden perspective on efficiency. The sequence is offered in a New York exhibition, on view from September twelfth to 14th, 2025. 

Ascend | all pictures courtesy of Brad Walls

immersive red-hued present locations guests on the coronary heart of ballet

In PASSÉ, the Australian photographer presents an immersive exhibition that reimagines ballet by means of a placing monochromatic crimson surroundings. Visitors step onto the unique crimson carpet and into The Red Room, the place life-sized photographic prints of dancers from New York City Ballet, American Ballet Theatre, Joffrey Ballet School, and Ballet East encompass them at eye stage, putting audiences throughout the body itself. Developed with choreographer Ian Schwaner, the undertaking fuses classical ballet with graphic design precision, highlighting motion, symmetry, and stillness. Guests obtain a handwritten postcard from a featured ballerina, remodeling commentary into a private memento, whereas the exhibition as a complete blurs the boundary between performer and viewer, inviting audiences to inhabit the emotional world of ballet. 

Dead Juliet

Turning Performance into Pattern

But Walls first captured worldwide consideration with Pools From Above, the sequence that distilled swimming pools into research of geometry, symmetry, and colour — an strategy that’s now grow to be his visible trademark.

Brad Walls’s inventive language is rooted in restraint. Every picture he creates is rigorously mapped and sketched earlier than the digicam is even lifted. It’s a design-first strategy that brings a way of calm and readability to his work. ‘I’m drawn to the magnificence of order,’  the Australian photographer says. ‘The quiet structure within chaos, the symmetry hiding in human form.’ Whether it’s synchronized swimmers, dancers, or architectural areas, his topics are reworked into visible rhythms which are exact, quiet, and filled with intention.

With PASSÉ, Walls takes that precision to new heights. Over a number of months, he labored with greater than 60 ballet dancers throughout New York, choreographing scenes particularly for the aerial lens. The ensuing pictures flatten the stage into canvas, the place motion turns into sample, and the strain between management and style is magnified. ‘It’s not only a research of dance,’ he notes. ‘It’s a choreography of kind, precision, and sample, seen from a perspective hardly ever skilled.’

The huge one

Inviting Viewers to Step Inside the Frame

This perspective, from instantly above, is vital to Walls’s voice. What may seem strange on the bottom turns into placing and unfamiliar from the sky. In Pools From Above, the minimalist pictures, captured from drone-mounted cameras, discovered concord in diving boards, lounge chairs, and turquoise tiles — on a regular basis particulars reframed into one thing quietly hypnotic.

Beyond the imagery, Walls can also be rethinking how images is skilled. His upcoming exhibitions transfer away from the white-cube gallery format, leaning into immersive, sensory-rich environments designed to interact the viewer. ‘I want to create images that people can step into,’ he says. ‘Not just something to look at, but something to feel.’ 

Unposed, type of

Backbone

Golden ratio

Gridlocked grace

Organized chaos

Mosaic

Symphony