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I’ve all the time had an enormous drawback with crop issue. Not the solely essential idea itself, however the numbers on the facet of the lens barrel.
It all the time appeared ludicrous to me that an APS-C lens doesn’t merely show its 35mm equal focal size. Something like 52.2mm (for instance) doesn’t look significantly tidy, certain, however a lens’ focal size isn’t a precise science, so rounding it to the closest entire quantity wouldn’t be past the pale.
The upside of that is that anybody who’s ever used a 35mm digital camera will not need to work out the crop issue each time they examine or use a crop-sensor lens.
This additionally signifies that beginner photographers can get used to thinking in terms of a 35mm-equivlant field of view right off the bat, should they ever pick up a full-frame camera, without having to stumble upon and get their head around the concept of crop factor.
Crop factor is an unnecessary and frankly alien concept to a beginner photographer who doesn’t know the difference between an APS-C, Micro Four Thirds or full-frame sensor. It just complicates the learning process. And if they don’t understand crop factor, they have a skewed concept of field of view, should they ever purchase a full-frame camera in the future.
All of a sudden, they’re thinking “Crikey, this 24mm full-frame lens seems wide” – not knowing that their 24mm DX prime was delivering an equivalent 36mm field of view. I remember learning about crop factor for the first time, and I don’t think I ever understood it fully until I started working with a full-frame camera for a good period of time. Suddenly, the need to convert the numbers on the barrel made sense.
If I’m entirely honest, crop factor still catches me out sometimes. It’s not hard to see why. Pick up an APS-C interchangeable-lens camera and you’ll need to do the math if you’re to work out the 35mm equivalent focal length. Yet, inexplicably, the APS-C Fujifilm X100VI has the 35mm equivalent focal length written on it, which is 23mm. Aaaaaaaaaargh!!!!!!!!
All this extends to medium format cameras, too. Since their sensors are larger than full-frame sensors, the crop factor is essentially calculated in reverse. Not only do different medium format manufacturers have different crop factors, but some manufacturers (like Hasselblad) don’t have a single, standard sensor size, which complicates matters further.
However, medium format photographers are a rarer breed and tend to be very dedicated to their systems. As such, I think they’re less likely to think in terms of 35mm when shooting medium format. Beginners don’t tend to gravitate towards medium format, either, so if you’re using a medium format camera, you’re more likely to understand crop factor.
I guess you could say the same for Micro Four Thirds photographers. This system has an extremely dedicated cult following and, because of that, I think there’s less crossover than APS-C and full-frame. In addition, the 2x crop factor of an MFT camera provides easier-to-calculate and neater equivalent focal lengths.
I already feel like I’m writing myself in circles here. The bottom line is that I wish all APS-C cameras, at least, would take a leaf out of the Fujifilm X100VI’s book and start displaying the equivalent focal length on the lens. This would eliminate the unnecessary confusion of crop factor for beginner photographers and those transitioning to full-frame.
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Want to learn more about camera formats? What is an APS-C camera? And do you really need a full-frame camera? If you want more of my ramblings, I captured a solid sports image on a Nikon D3500 to prove that camera gear should never stand in your way.
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