pictures as scene and reflection

From October 9, 2025 to February 1, 2026, the Gallerie d’Italia in Turin presents a significant exhibition devoted to Jeff Wall, among the many most influential modern photographic artists. Twenty-seven works recount forty years of analysis between actuality and fiction, curated by David Campany.

From Oct. 9, 2025 to Feb. 1, 2026, the Gallerie d’Italia – Turin, a museum of Intesa Sanpaolo, will host JEFF WALL. PHOTOGRAPHS, a retrospective devoted to one of many absolute protagonists of up to date pictures. The exhibition, curated by David Campany, a author, artwork critic and inventive director of the International Center of Photography in New York, brings collectively twenty-seven works spanning greater than forty years of the Canadian photographer’s profession, from 1980 to the latest works made in 2023. Jeff Wall, born in Vancouver in 1946, has redefined the boundaries of artwork pictures, transferring between staged and documentary remark. His pictures, typically massive format, current seemingly on a regular basis conditions, however charged with narrative pressure and ambiguity.

The artist addresses central themes of up to date society–nature, warfare, problems with gender, race, and class–by posing questions on how collective occasions and social constructions form particular person expertise. His compositions, typically enigmatic at first look, turn into true units for reflection. In the exhibition, the Turin itinerary provides a complete overview of his work, inserting his best-known pictures in dialogue with lesser-known works which are however elementary to understanding the evolution of his visible language. The choice contains a few of Wall’s lightboxes, massive backlit transparencies impressed by promoting, alongside colour and black-and-white prints. Presented life-size, the images have interaction the viewer in an immersive expertise: the monumental scale and synthetic luminosity generate an impact of suspension, as if actuality had been crystallized in a theatrical immediate.

Wall has repeatedly said that he doesn’t take into account himself a reportage photographer. “I am not an image hunter,” he mentioned lately. His works should not born from the immediacy of the shot, however from an extended technique of building that includes planning, selecting places, and establishing lighting and extras. In truth, the artist works with dilated occasions, composing actual units, typically making use of digital strategies to attain a stability of components that harks again to the grammar of cinema. The result’s pictures that’s “almost” documentary, as he calls it: scenes that appear to be captured from actuality, however are literally derived from a refined conceptual building. Numerous works within the exhibition reveal Wall’s deep relationship with the historical past of artwork, literature and movie. The Thinker takes a photographic tackle Auguste Rodin’s well-known sculpture, whereas After “Invisible Man” by Ralph Ellison, the Prologue is impressed by the American author’s novel to deal with the theme of social invisibility. In Odradek, Táboritská 8, Prague, July 18, 1994 the reference is to Franz Kafka, and the picture turns into a metaphor for the absurd and fashionable alienation. Intertextuality is an integral a part of his language: Wall cites, transforms and recontextualizes works by Hokusai, Manet, Delacroix, interweaving references that broaden the sector of interpretation of his images.

Opening the Turin itinerary is I giardini(The Gardens, 2017), made proper close to the Piedmontese capital, at Villa Silvio Pellico. The triptych exhibits figures transferring by a labyrinth of hedges, replicating themselves as doubles in a sequence of appearances. The picture remembers the theme of expulsion from paradise, an iconographic topos reinterpreted with a temporal and narrative ambiguity that displays Wall’s curiosity within the thresholds between actuality and creativeness. The works on show testify to the consistency and depth of a analysis that has helped redefine pictures as a conceptual and narrative medium. The artist constructs meanings; he interrogates their illustration. Jeff Wall is at this time acknowledged as one of the crucial influential artists on the worldwide scene. His works are a part of the everlasting collections of museums such because the Tate Modern in London, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Deutsche Guggenheim in Berlin. The Turin exhibition thus suits into the groove of the foremost retrospectives which were devoted to him all over the world, providing a possibility to delve into the complexity of a analysis nonetheless in full improvement.

The exhibition venture is accompanied by the standard #INSIDE public program, which features a sequence of free-access talks each Wednesday night. The opening can be preceded by a double appointment on Thursday, October 9: at 6 p.m. Jeff Wall will dialogue with David Campany, providing a possibility for direct dialogue on his personal work and the function of up to date pictures; afterwards, from 7 p.m., the artist can be accessible for a signacopy of the catalog revealed by Società Editrice Allemandi. The Gallerie d’Italia – Turin is a part of Intesa Sanpaolo’s museum venture, which additionally contains branches in Milan, Naples and Vicenza, below the course of Michele Coppola, Executive Director Art, Culture and Historical Assets of the Bank.

Jeff Wall at Gallerie d’Italia in Turin: pictures as scene and reflection

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