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An extraordinary acquisition of pictures by Lisetta Carmi (1924–2022) has enriched the everlasting assortment of up to date artwork of the Museo Civico di Castelbuono (Palermo, Sicily), because of the Strategia Fotografia 2024 grant promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. The seven works acquired are a part of Viaggio in Sicilia (Journey by means of Sicily), the final photographic venture by the famend Italian photographer, celebrated for her socially engaged photo-reportages from the Sixties and Seventies. The collection was initially revealed in 1977, accompanied by a textual content by Leonardo Sciascia. With this venture, the Sicilian Museum continues its dedication to amassing main our bodies of labor by modern photographers, following acquisitions of works by Letizia Battaglia and Melo Minnella, to whom a devoted part has been assigned within the museum’s newly redesigned galleries. The pictures by Carmi are featured within the publication Viaggio in Sicilia, curated by Valentina Bruschi and revealed by Palermo Publishing.
Since 2014, beneath the directorship of Laura Barreca, the Museo Civico di Castelbuono has been exploring the languages of up to date artwork in dialogue with the area’s monumental, inventive and historic heritage. The museum promotes participatory processes open to the neighborhood, tasks combining artwork and ecology, artist residencies, public applications, “creative” walks in nature, and even a public backyard managed by the museum itself.
The pictures part is a part of the brand new set up of the modern artwork galleries, curated by Laura Barreca and Valentina Bruschi, and designed by the architectural agency AM3 Architetti Associati. The set up was conceived in line with accessibility and digital innovation requirements, with instruments for simpler studying, high-legibility panels, and QR codes providing multimedia insights—all geared toward making the museum expertise extra partaking for a variety of tourists, particularly these with particular wants. In this new show, the monumental areas and historic rooms of the fort are introduced into dialogue with work, sculptures, installations, movies, and images by round 40 artists, together with: Salvatore Arancio, Mimmo Cuticchio, Claire Fontaine, Francesco De Grandi, Beatrice Gibson, Loredana Longo, Emiliano Maggi, Mangano & van Rooy, MASBEDO, Concetta Modica, Ignazio Moncada, Ignazio Mortellaro, Olaf Nicolai, Seb Patane, Maria Domenica Rapicavoli, Giulio Squillacciotti, Luca Trevisani, and Driant Zeneli. This initiative is a part of a wider program to strengthen the museum’s position as a Mediterranean cultural hub, fostering dialogue between artwork, reminiscence, and contemporaneity. For years, the museum has been creating a shared cultural narrative grounded in neighborhood participation, heritage schooling, and worldwide collaboration, in step with the ideas of the Council of Europe’s Faro Convention (2005) on residents’ participation in cultural heritage, and with the rules of ICOM—the International Council of Museums. In 2020, the Museo Civico di Castelbuono revealed the Manifesto of Museums of Small Towns and Historic Centers, rethinking the museum as a pedagogical gadget based on participation, schooling, and environmental sustainability, and selling new relationships between museums and communities.
Until February 2026, guests can expertise Ecosistemi Connessi. Museo e Comunità Post-Varietali, a venture by the artist duo Aterraterra (Fabio Aranzulla and Luca Cinquemani), curated by Maria Rosa Sossai and supported by the PAC2024—Contemporary Art Plan, additionally promoted by the Directorate-General for Contemporary Creativity of the Ministry of Culture.
The Museo Civico di Castelbuono is housed within the Ventimiglia Castle (1317), a medieval fortress situated 90 km from Palermo—a unprecedented architectural monument nestled between the Mediterranean Sea and the mountains of the Madonie Natural Park, a UNESCO Global Geopark. The museum preserves wealthy everlasting collections displayed throughout its sections of Archaeology, Urbanistic, Sacred Art, Contemporary Art—a continually rising nucleus animated by an experimental spirit and a dynamic program of momentary exhibitions, cultural and academic actions. The Palatine Chapel, referred to as the Serpotta Chapel (1684), is solely embellished with white stucco work on a gold background by brothers Giuseppe and Giacomo Serpotta. It options one of the crucial extraordinary ornamental ensembles of Sicilian Baroque, housing the sacred relic of Saint Anne.
For extra info: museocivico.eu.
This web page was created programmatically, to learn the article in its unique location you possibly can go to the hyperlink bellow:
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