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Josef Frank is well-known for his influence on Swedish design — significantly at Svenskt Tenn, the place his woodcraft and floral materials proceed to promote. Less identified is the structure he left behind in his native Austria. Between the wars, Frank’s pioneering type, developed along with his companion Oskar Wlach, was accountable for a few of Vienna’s most memorable modernist housing. The fee for Villa Beer — from rubber magnate Julius Beer within the neighbourhood of Hietzing — got here on the pinnacle of his profession there, and its distinctive geometric construction epitomised his tendency for homely performance.
Photography: Stefan Huger.
The new curtains. Photography: Stefan Huger.
The stairwell. Photography: Hertha Hurnaus.
Photography: Hertha Hurnaus.
The Beer household lived right here for a complete of 18 months earlier than a sequence of crises spurred their departure and supreme exile. They — like Frank — had been Jewish.
Next month the personal villa will open to the general public for the primary time in its historical past. Purchased by the paper-maker turned philanthropist Lothar Trierenberg and restored by specialist artisans from throughout the nation, it’ll function the headquarters for the Villa Beer Foundation and a cultural vacation spot with a programme of guided excursions round its sculptural stairwells and sun-lit open plan. Overseen by Christian Prasser of CP Architktur, the sunshine interventions additionally netted a brand new theatre within the basement for lectures and workshops. Booking launches this week for occasions beginning in March.
Perhaps most enjoyable, Prasser and his staff have remodeled the attic bedrooms with Frank’s archival Svenskt Tenn designs and a palette of greens taken from the unique linoleum staircase. Swathed in heritage materials, these rooms will help the upcoming artists-in-residence programme and — topic to availability — home guests inquisitive about experiencing Frank’s particular model of modernist structure.
The opening is one in every of a number of throughout Central and Eastern Europe at the moment highlighting the work of Jewish architects whose careers had been interrupted by antisemitism and struggle. What’s ironic is that their design principals and experience taught Europe the way to dwell.
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