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Ask anybody who is aware of Ika Ramel and Sanna Nathanson, they usually’ll swear that the Stockholm-based designers are Nineteen Fifties souls residing in millennial our bodies. “We just love anything old,” says Ramel—and by something, she principally means houses. So when a father and his three youngsters invited the Studio Ramson founders to reimagine their single-story midcentury home alongside Sweden’s southwestern coast, it felt much less like a fee and extra like destiny.
“They wanted the house to feel fresh without losing its soul,” shares Nathanson. And they’d good motive: Designed by famend Swedish architect Hakon Ahlberg in 1954, the structure hadn’t been touched in a long time. “When the original owner passed away, the house came up for sale for the very first time, and our client immediately felt drawn to its history and unique atmosphere,” Ramel displays. But for each upside—a purposeful structure, six beneficiant bedrooms, nature at each flip—there was a draw back to match. “The materials and functions just felt frozen in time, and it was clear we needed to wake the house up again,” remembers Nathanson.


What adopted was equal elements addition and subtraction, carried out in collaboration with architect and builder Tobias Ossmark, the proprietor’s cousin. Out went the drained wood flooring; in got here sturdy timber planks. Boring white carpets had been banished.
The designers had a rule for something new they introduced in: it needed to really feel prefer it had all the time belonged. Take the Märta Måås-Fjetterström rug within the sitting room, or the classic leather-based couch and nest of three tables by Nils Fougstedt, which sit so comfortably throughout the house they learn much less as additions and extra as quiet inheritances. They additionally thought of on a regular basis practicalities: the kitchen is large enough to host 20, a collection of monumental home windows body vistas of the ocean, and, in true Scandinavian vogue, the coated patio boasts a totally functioning fire and lounge space. Ahead, Ramel and Nathanson give us the lowdown on how they introduced the house into the current with out erasing its previous.

What was the very very first thing you got for the undertaking?
Ramel: A handwoven Märta Måås-Fjetterström rug for the lounge. Its craftsmanship and heritage felt completely in tune with the home’s historical past. Soon after, we sourced a uncommon classic lamp within the U.Okay., a chunk that instantly introduced the house to life.

Where did you discover the emerald-toned eating desk, and what’s it fabricated from?
Nathanson: The eating desk is from a Swedish provider referred to as Artilleriet. It’s a lacquered wood desk, and the wealthy emerald tone provides depth and character to the eating house.

What’s the story behind the painted hallway ceiling?
Ramel: We needed to make a delicate assertion out of the hall, reasonably than treating it as a purely transitional house. The sky blue ceiling provides a smooth, surprising second and works fantastically with the general feeling of the home—reasonably like a mild summer time’s day. It brings lightness and calm, and gently units the tone as you progress via the house.
What design alternative would you by no means repeat?
Nathanson: This was a remarkably easy undertaking. The solely barely nerve-wracking second was putting in a really massive TV hidden within the ceiling of the outside room. It was technically advanced, however the end result was seamless and discreet.

What piece of storage felt like an actual game-changer to your shopper?
Nathanson: The custom-built wardrobes we designed for the bedrooms. They combine seamlessly into the structure and convey a peaceful, orderly backdrop that enables the furnishings and light-weight to take heart stage.
What was one factor you didn’t thoughts eradicating?
Ramel: When we arrived, many rooms had been coated with newly put in white carpets, which felt disconnected from the home’s character. Replacing them with extra tactile, timeless surfaces re-established a real sense of place.

What was your greatest splurge?
Ramel: The ensuite loos for each bed room. It was a daring funding, however it elevated the household’s way of life and gave every member their very own non-public retreat inside the home.

What design resolution felt like the most important danger?
Nathanson: In some ways, the undertaking felt harmonious reasonably than dangerous. The greatest leap was in all probability encouraging the shopper to maneuver past the solely gray-and-white palette he was used to and to embrace textures and tones that give the home extra heat and depth.

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