‘Hold to This Earth’ Surveys the Abundance of American Indigenous Contemporary Art — Colossal

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From the beaded phrases of Jeffrey Gibson’s sculptural weavings to Jaune Quick-to-See Smith’s canoe sequence to Raven Halfmoon’s fingerprint-textured tributes, a brand new exhibition marks the biggest presentation of American Indigenous work within the U.Okay. so far.

Opening subsequent week, Hold to This Earth at Yorkshire Sculpture Park options almost 70 items by 38 artists, which in flip characterize 35 Tribal Nations. “(The artists) reference and honour ancestral knowledge whilst being steadfastly contemporary, asserting a powerful presence and countering narratives of erasure that too often position Indigenous cultures only in terms of the past,” says an announcement from Tia Collection, from which the items are drawn.

a colorful glass bead weaving with geometric patterns
Jeffrey Gibson, “TO MY NATION” (2017), glass beads, synthetic sinew, buying and selling put up weaving, metallic studs, copper and tin jingles, nylon fringe, acrylic felt, canvas, wooden. © Jeffrey Gibson. Image courtesy of the artist and Roberts Projects, Culver City

Colossal readers will acknowledge works by Cannupa Hanska Luger, Dyani White Hawk, Nicholas Galanin, and extra. The vary of media highlights the various supplies and approaches that Indigenous up to date artists use and nods to cultural traditions, heritage crafts, and valuable landscapes whereas additionally contemplating socio-economic points, visibility and illustration, and know-how.

“Materials such as clay, hide, wool, beads, and natural pigments become carriers of powerful stories, memory, and tradition, rooted in connection to the earth,” says Tia Collection. “Newer modes of expression and understanding growing out of digital culture also speak to the shifting landscapes of Indigenous life in the 21st century.”

Hold to This Earth opens on June 13 and continues by way of April 18, 2027, in Wakefield. Keep up with exhibitions that includes works from the Tia Collection on Instagram.

a colorful figurative sculpture in artistic garments that suggests an American Indigenous trickster figure
Cannupa Hanska Luger, “Sweet Land: Coyote 2” (2020), blended media. © Cannupa Hanska Luger. Photo by James Hart Photography
a black-and-white portrait of Native American women standing in front of Shiprock in New Mexico
Zoë Urness, “No More Stolen Sisters” (2019), analog capture-digital chromogenic output on Fuji Crystal Archive paper with UV over laminate mounted to Dibond aluminum substrate. © Zoë Urness. Image courtesy of the artist
an abstract, ceramic figurative sculpture in ceramic
Raven Halfmoon, “The Guardians” (2024). © Raven Halfmoon. Photo courtesy of Salon 94
an abstract buckskin and yarn artwork with a large blue area and an edge of red, teal, pink, and gray
Teresa Baker, “Infinite” (2023), buckskin, yarn, spray paint. © Teresa Baker, courtesy of the artist and de boer, Los Angeles. Photo by Jacob Phillip
an acrylic painting on a deer hide that looks like the night sky
Nicholas Galanin, “Ancestral Map of Return” (2023), pigment and acrylic on deer cover. © Nicholas Galanin. Image courtesy of the artist and Peter Blum Gallery, New York. Photo by Jason Wych
a figurative sculpture made of ceramic, steel, and other materials of a woman with tattoos and giant pins all over her body like a halo
Rose B. Simpson, “Tonantzin” (2021), ceramic, metal, leather-based, brass. © Rose B. Simpson. Image courtesy of Chiaroscuro Contemporary Art. Photo by Addison Doty
a sculpture composed of two stacks of wool blankets that appear impaled by two I-beams
Marie Watt, “Skywalker/Skyscraper (Twins) Flint & Sapling” (2020), reclaimed wool blankets, metal I-beam. © Marie Watt. Image courtesy of Marie Watt Studio and MARC STRAUS, New York
a abstract wooden and mixed-media sculpture that is loosely figurative
Sheldon Harvey, Untitled, blended media. © Sheldon Harvey. Photo by James Hart Photography




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