How a Photographer Handmade His Dream 8×10 Digital camera for Everyone

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A man wearing a yellow hat and plaid shirt stands by the sea, smiling next to a vintage large-format camera mounted on a tripod. Rocky shore and calm blue water are in the background.

Slovenian photographer and founding father of Ondu, Elvis Halilović, has unveiled the Ondu Eikan 8×10″, a brand new light-weight, handmade large-format area digicam.

Halilović tells PetaPixel the Ondu Eikan 8×10 is the digicam he has at all times wished for himself.

“I like shooting wet plate photography, this is my driving force now, and it was like I wanted to make a camera for myself. That was how I envisioned an 8×10 camera in my head,” Halilović says. “And if people like, that’s good. If they don’t, that’s also okay.”

Halilović has had the thought for the Eikan 8×10 for a few years, even earlier than he designed and launched the smaller Eikan 4×5″ digicam in 2023.

The photographer, carpenter, and digicam maker wished to see what he might do with an 8×10 digicam with out particular time constraints or limitations.

A large format wooden field camera with a bellows, metal supports, and a lens mounted at the center, set against a plain gray background. The camera is labeled "ONDU EIKAN.

“I took my time, maybe seven or eight months of design work and preparing, and so on. And it turned out like I imagined,” Halilović says.

Halilović made an 8×10 prototype digicam approach again in 2018; it could actually even be seen within the background of older Ondu Kickstarter campaigns, however he wasn’t glad with it.

“It looked like other cameras out there,” he says.

A person hiking on a rocky forest trail carries a large, bulky load on their back, including a cooler and various items, using hiking poles for support.

“Then a few years later, I was hiking and the shape, these details you see now, popped in my head and I did a sketch on my phone,” Halilović says. And now, years later, the Eikan 8×10″ is right here. He went to school for industrial design, and really, when he based Ondu, the corporate was constructing geodesic domes, not cameras.

“There are a lot of large format manufacturers right now, but nobody is really trying to merge craftsmanship, design, and technology with the same kind of vibe. That’s what I try to do. It’s not just like a technical camera, it also has to look good.”

Close-up of a large format camera with a wooden and metal frame, bellows, adjustment knobs, and a small built-in spirit level, all mounted on a tripod.

Close-up of a large format camera with black metal and wooden accents, showing detailed knobs, gears, and a bellows mechanism on a smooth, dark base.

A close-up view of a large format camera, highlighting the black accordion-style bellows, metal lens, and wooden accents against a neutral background.

He was in a position to make it comparatively light-weight — roughly 3.5 kilograms (7.7 kilos) — by using CNC machining, laser slicing, aluminum, and 3D-printed components. As for the 3D-printed components, Ondu makes use of them just for a restricted variety of elements, akin to carriers. The body and all of the knobs are wooden and steel.

Halilović, who works intently with skilled associates to construct and assemble Ondu cameras, says he labored with about 15 totally different components suppliers for the Eikan 8×10″, together with the steel work and floor glass.

As Halilović is aware of firsthand, having been constructing and promoting analog cameras for nicely over a decade, analog images has skilled a major resurgence. There is a ton of curiosity in it, particularly for smaller codecs. So he is aware of that an 8×10″ digicam like the brand new Eikan might be by no means going to be vastly fashionable. It’s a distinct segment section of an already specialised analog digicam market.

“Most of my users for the large format stuff are wet plate photographers,” he says. “I don’t know the actual numbers, but I would guess there are maybe a few thousand wet plate photographers all over the world. It’s not a big, big thing.”

A large format wooden field camera with a black bellows, mounted on a tripod, is shown against a plain gray background. The camera features metal and wood components, giving it a classic, vintage look.

A large format vintage-style camera with a black bellows and wood accents, mounted on a tripod, is shown in profile against a plain gray background.

Two black devices with stands, one large and one small, both labeled "ONDU" and featuring reflective screens and gray clasps, are displayed on a neutral background.

Two sleek, black, rectangular camera devices of different sizes stand side by side on a gray background, each with folding supports and metallic hinges. The larger device is labeled "ONDU 8x10".

Two rectangular black film holders, one smaller and one larger, are laying on a gray surface. Both have the word "EXPOSED!" written in white on their fronts.

By using a comparatively compact, light-weight design, at the very least by 8×10 digicam requirements, Halilović needs individuals to make use of his Eikan 8×10″ in locations giant format cameras not often go, like excessive up into the mountains.

“The goal was simple: to create a camera that keeps the beauty of the 8×10 process intact while removing unnecessary weight and complexity. The large ground glass, the deliberate rhythm, the incredible detail, and the physical presence of the negative are all there — but in a camera designed for real use in the field or studio,” he says on the Eikan 8×10″ product page.

Three people wearing outdoor clothing and beanies sit on a grassy mountain slope with rocky terrain. Snowy, rugged peaks rise in the background. More people are seated in the distance, enjoying the mountainous landscape.

Two people sit outdoors on a log, smiling at the camera, with mountains and trees in the background. One person wears sunglasses and a headband; the other wears a sweater and has loose hair. The image is black and white.

A group of people sits on a rocky cliff while others ride in a suspended hammock-like carrier over a deep canyon, attached to a rope system spanning the gap.

The digicam sports activities a foldable design with a rear vertical lock; it really works with customary sheet movie holders, has everlasting magnets for safe bellows attachment, and is constructed from powder-coated aluminum and European walnut. Halilović rigorously considers each piece of wooden, making certain the grain sample and course work by way of sturdiness and aesthetics.

The Eikan 8×10″ is kind of genuinely a murals in and of itself, and when it arrives in September, photographers worldwide will be capable of use it to create artwork of their very own.

The Ondu Eikan 8×10″ is available to preorder now, beginning at €2,500. This introductory worth is out there for the primary 20 items till June 30, or till the items promote out. The worth will then enhance to €3,050. Halilović expects orders to start supply in mid-to-late September.

A woman in a Patagonia jacket smiles while sitting against large rocks outdoors. The black-and-white photo has a candid, natural feel.

A thin waterfall cascades down a rocky cliff face in a black and white photograph with a vintage feel, surrounded by rocks and foliage at its base.

A group of people dressed in outdoor gear sit and stand on rocky ground in a mountainous area, posing for a photo with misty peaks in the background. The image appears to be black and white or sepia-toned.

Four people sit side by side on a large rock outdoors, wearing casual summer clothes and sunglasses, smiling at the camera. Rocky terrain and trees are visible in the background. The image appears to be black and white.

Two people sit closely together on a rustic wooden fence along a mountain trail, surrounded by trees and misty mountains. The photo is in black and white, with a vintage, weathered appearance.

Two people sit on rocky ground, smiling and leaning close together, with a mountain and a waterfall in the background. The image is in black and white and has an old, vintage appearance.

The End of Ondu’s Pinhole Cameras

As Halilović prepares to launch the Eikan 8×10″ giant format digicam, he’s additionally winding down one other a part of the enterprise, the very approach that Ondu began making cameras within the first place: pinhole.

He says he has simply misplaced the need to make them, after constructing 1000’s over time. They require excessive precision and appreciable time to make. It is turning into more and more difficult to make them at a low sufficient value to maintain the retail worth accessible, so Halilović says it’s time to cease.

He has obtained many heat messages over time from individuals who have purchased his pinhole cameras and completed unbelievable work, or simply as importantly, had enjoyable.

A close-up of a wooden camera with black dials, resting at an angle on top of many identical wooden cameras arranged in rows.

“I get pictures in the mail, books in the mail, and stuff like that when people make images,” Halilović explains. “Every enterprise has its ups and downs, so typically you’re feeling a bit low and you then get a random letter or package deal within the mail that might enhance you up, and also you’re like, ‘This is why I do it.’”

As of writing, Ondu has about 200 handcrafted pinhole cameras remaining. It is the final batch, at least for the foreseeable future. Halilović says it’s laborious to foretell, however the plan is to deal with different tasks.


Image credit: Ondu. Wet plate images by Elvis Halilović. These moist plates weren’t captured utilizing the brand new Ondu Eikan 8×10″, however are as an alternative illustrative of the kind of photos he hopes to seize utilizing his new digicam.


This web page was created programmatically, to learn the article in its authentic location you may go to the hyperlink bellow:
https://petapixel.com/2026/06/11/how-a-photographer-handmade-his-dream-8×10-camera-for-everyone/
and if you wish to take away this text from our web site please contact us