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If you do not know a lot about images, you may count on that taking photos of flowers can be the best of all jobs.
The factor is already stunning, proper? It does not transfer or cover like wildlife. It does not want coaxing, like folks. You need not wait hours for the weather to completely cohere, as with panorama or astrophotography. So the place’s the problem?
If that is you, and also you consider floral images as a protected and boring possibility, then this e book needs you to suppose once more. Published by Shutter Hub Editions this October, Flora is a photobook that gathers 100 photographs from photographers throughout the UK.
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Each was requested to interpret plants in no matter manner they needed. The outcomes range enormously, from conventional cyanotypes to ethereal Polaroid experiments, and are light-years other than the usual bouquet or rose bush compositions you could be anticipating.
The original brief learn: “We’d love to see compelling, thoughtful, and visually striking photography that explores the diversity, resilience, subtleties, and poetry of growing things – from mosses and ferns to wild forests, blossoms, vines, roots, and every form of vegetation in between.
“Show us images that reveal the nuance of growth, the patterns of nature’s processes, and the quiet power of plant life in all environments.”
Well, the photographic group has positively delivered on all of that.
Some have drawn on 19th-century printing techniques. John Brewer’s cyanotype of an acer leaf turns a familiar autumn shape into a deep Prussian-blue silhouette, while Michael Croghan’s Bog Revival uses the same process to render bog plants as ghostly pale forms against near-black.
Elsewhere, Paeony Lewis works with lumen prints, a technique that exposes photo paper directly to sunlight, producing warm, painterly tones that look more like watercolors than standard photographs.
Equally experimental, Maria Mademyr’s lumen print of rowan leaves glows amber and gold in a composition that feels very “abstract art”, while Kieran McPeake works with Polaroid SX-70 film to produce a soft, dreamlike distortion. Then there’s Steve Pill, who provides the book’s cover image: roses abandoned on a London street, wilting.
This willingness to be playful, to experiment, to find a different take on familiar subjects, is at the heart of this book’s appeal.
Whether you’re looking at weeds pushing through sidewalks, wildflower meadows in flat, atmospheric light, or studio shots that treat leaves and stems more like specimens than decoration, there are endless ways it seems to reinterpret the floral world.
In that light, you don’t necessarily need to be interested in flowers to enjoy this book: anyone looking to stop their practice from getting stale and get some new visual ideas will find it packed with fresh inspiration.
Flora is out there to preorder now forward of its publication on October 26, with copies bought by Shutterhub and stockists together with the Photographers’ Gallery in London and Open Eye Gallery in Liverpool.
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Want to photoraph flowers your self? Check out the best cameras for macro photography and the best macro lenses. And take a look at the best books on photography.
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