Photography

Paul McCartney Remembers Beatles Photographer Robert Freeman


Paul McCartney remembered Robert Freeman as “imaginative and a true original thinker” in a tribute to the late photographer who shot a few of the Beatles’ most memorable album covers.

Freeman’s images of the Beatles ended up the covers of albums like With the Beatles, Rubber Soul, Assist! and Beatles for Sale. In his tribute, McCartney recalled the shoot for With the Beatles, which he famous at all times had the aesthetic of “a carefully arranged studio shot” contemplating the way in which the band is so meticulously lit.

“In fact it was taken quite quickly by Robert in the corridor of a hotel we were staying in where natural light came from the windows at the end of the corridor,” McCartney remembered. “I think it took no more than half an hour to accomplish.”

McCartney additionally recalled how Freeman unintentionally created the stretched impact on the Rubber Soul cowl. To present the band a way of what their covers would seem like, Freeman frequently projected images onto a chunk of cardboard reduce into the dimensions of an LP sleeve. In the course of the viewing session for the Rubber Soul images, the image fell backwards a bit within the slide projector, altering its dimensions.

“Instead of simply putting the card upright again, we became excited at the idea of this new version of his photograph,” McCartney stated. “He assured us that it was attainable to print it this fashion and since the album was titled Rubber Soul we felt the picture fitted completely.”

McCartney closed his word, saying, “I will miss this wonderful man but will always cherish the fond memories I have of him.”

Freeman’s dying was introduced through the Beatles’ Twitter account right now, November eighth. A reason for dying was not given.

Paul McCartney Tribute to Robert Freeman

Pricey Robert Freeman has handed away. He was considered one of our favorite photographers through the Beatles years who got here up with a few of our most iconic album covers. Moreover being a terrific skilled he was imaginative and a real authentic thinker. Folks typically suppose that the duvet shot for Meet The Beatles of our foreheads in half shadow was a rigorously organized studio shot. Actually it was taken fairly shortly by Robert within the hall of a lodge we have been staying in the place pure gentle got here from the home windows on the finish of the hall. I believe it took not more than half an hour to perform.

Bob additionally took the Rubber Soul cowl; his regular apply was to make use of a slide projector and challenge the images he’d taken onto a chunk of white cardboard which was precisely album sized, thus giving us an correct thought of how the completed product would look. Throughout his viewing session the cardboard which had been propped up on a small desk fell backwards giving the {photograph} a ‘stretched’ look. As an alternative of merely placing the cardboard upright once more we grew to become excited on the thought of this new model of his {photograph}. He assured us that it was attainable to print it this fashion and since the album was titled Rubber Soul we felt that the picture fitted completely.

I’ll miss this glorious man however will at all times cherish the fond recollections I’ve of him.

Thanks Bob.





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