George Eastman Museum Expands Certainly one of The World’s Oldest Photography Collections with 900 New Images

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Two oval-framed painted portraits: on the left, a woman in a dark red dress with a patterned design; on the right, a man in a dark suit with a bow tie. Both portraits are set against dark backgrounds.
The museum has acquired these two fascinating ivorytypes: Ann Jane Mitchell McAllister, ca. 1865, left, William Young McAllister, ca. 1865, proper. | George Eastman Museum, reward of Donald Okay. Weber in honor of James L. Enyeart.

The George Eastman Museum, which holds one of many world’s oldest images collections, has added greater than 900 photographic works by way of purchases and donations in 2025.

The George Eastman Museum’s Department of Photography continues to develop a group that ranges from objects made earlier than images was publicly launched in 1839 to work produced as we speak. It contains all main photographic processes, from early daguerreotypes to digital photos, and covers a variety of makes use of, together with on a regular basis snapshots, creative work, scientific research, and documentary images.

Black and white photo looking up at tall, geometric buildings with many windows, forming sharp angles against the sky; a circular object is suspended between the buildings.
Beaumont Newhall (American, 1908–1993), Chase National Bank, New York ,1928. Gelatin silver print, printed 1983. George Eastman Museum, buy with funds from the Horace W. Goldsmith Foundation. ©1928, Beaumont Newhall,©2026 the Estate of Beaumont and Nancy Newhall. Permission to breed courtesy of Scheinbaum and Russek Ltd., Santa Fe, New Mexico
A young person waters a garden with a watering can while an older man with white hair and boots stands nearby, watching in an outdoor setting with trees and plants in the background.
Wayne F. Miller (American, 1918–2013), Steichen and Jeanette Miller wateringthe backyard, Umpawaug Farm, 1954. Gelatin silver print. George Eastman Museum, reward of the Wayne F. Miller Family. © Wayne F. Miller

As with any giant assortment, there are gaps, and new acquisitions usually intention to fill them. In some circumstances, the George Eastman Museum seems for extra examples of uncommon or uncommon processes. Two ivorytypes, donated by long-time supporter Donald Okay. Weber, are one instance. First developed within the 1850s, the ivorytype course of concerned combining two prints from the identical unfavourable, which have been hand-colored, waxed, and layered to create a way of depth. Different variations of this method, developed by numerous photographers, are already a part of the museum’s holdings.

A black and white photo shows a tennis player in motion, captured multiple times in one image. The overlapping frames create a visual effect of several rackets and body positions against a dark background.
Phillip Leonian (American, 1927–2016), Wrist Firm, Racket Square [TennisInstructional, Doubles Return of Serve B3] , March 24, 1982. Gelatin silver print.George Eastman Museum, reward of the Leonian Charitable Trust. © Phillip Leonian
A young girl with braided hair and a knitted sweater is caught mid-jump indoors, smiling, with light streaming through a large window behind her.
Nicola Toscano (Italian, 1922 – 1962), [Rosa Maria Toscano, child of thephotographer] , December 13, 1956. Gelatin silver print. George Eastman Museum, reward of Antonio Toscano.

The museum additionally added eighteen pictures by Diane Arbus, donated by Fraenkel Gallery in San Francisco, and bought a significant work by Tseng Kwong Chi. These additions mirror its ongoing effort to develop its illustration of vital photographers and kinds. The George Eastman Museum additionally continues to gather work by photographers who have been related to the museum itself. This yr’s acquisitions embrace works by Beaumont Newhall and Nathan Lyons, each of whom beforehand labored on the establishment.

Some of the brand new works will likely be proven in upcoming exhibitions. Four pictures by Wayne Miller will appear in Edward Steichen and the Garden in 2026. The photos present Steichen’s each day life and his curiosity in gardening. Other latest additions, together with works by Brett Weston, Milton Rogovin, and Carl Chiarenza, will likely be included in a future Selections from the Collection display.

A black-and-white photo diptych: left, a brick wall with a handwritten sign and posted hours; right, a storefront window displaying broken letters that spell "SIGNS," with the "G" fallen.
Nathan Lyons (American, 1930–2016), Untitled , 1974–1998, from Riding 1st Classon the Titanic! . Gelatin silver prints (diptych). George Eastman Museum, purchasewith funds from Janet and Thomas Fink. © Estate of Nathan Lyons.

“Through carefully considered additions to our holdings, we seek to expand the possibilities for understanding the photographic medium, making it accessible to our colleagues and the general public alike,” says Jamie M. Allen, Stephen B., and Janice G. Ashley, Curator and Head, Department of Photography.

“While we continue to build our holdings of nineteenth- and twentieth-century photography, which serve as the foundations of our collection, we also seek to document twenty-first-century uses of photography, from photojournalism to contemporary art. In 2025 we had amazing opportunities to add significant works from all periods of the medium’s history, filling gaps and bolstering our ability to tell expansive stories.”

Founded in 1947, the George Eastman Museum is the world’s oldest images museum and one of many largest movie archives within the United States. Its assortment contains greater than 450,000 pictures, 31,000 movement image movies, a significant assortment of photographic and cinematographic know-how, a big library of supplies associated to images and cinema. The museum is situated on the historic Rochester, New York property of entrepreneur and philanthropist George Eastman, a pioneer of widespread images.


Image credit: All pictures courtesy of George Eastman Museum.


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