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In some methods, each photographer has a novel course of, from the way in which they eye up a composition to the alternatives they make in post-production. However, by no means have I come throughout a photographer who transforms avenue scenes into gold and silver metallic artistic endeavors, nor one who presents these in 3D books that add an immersive dimension to experiencing their work.
But that is how Sandra Cattaneo Adorno, a avenue photographer from Brazil who, actually, picked up a digicam for the primary time at 60 years outdated, goes about her work. You may see Adorno’s method as elaborate or luxurious, however I see it as her manner of expressing a novel and summary view of life by means of the lens.
This year, Adorno will exhibit her latest project, Fragments of Light. For this body of work, Adorno chose to print her images using metallic silver ink on navy blue paper to “transform quiet scenes of daily life into mystical works of art”. A very intentional decision, perhaps the reflective nature of the color silver represents the fragments of life and energy we see in the scenes.
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Adorno’s previous book, Ten Years (2024) – a celebration of a decade in photography – employed an equally unique approach, albeit with different metallic choices. For this book, Adorno printed her images in gold ink on matte black paper, capturing the warmth, nostalgia and melancholic memories of life in Rio de Janeiro as only someone who’s lived there could.
Sandra Cattaneo Adorno will present Fragments of Light fron May 9 – November 22 at the 8th edition of Personal Structures, a contemporary art exhibition in Venice, Italy which runs parallel with the 61st Venice Biennale. You can find her previous books Ten Years (2024), Scarti di Tempo (2022) and Águas de Ouro (2020) at Radius Books.
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