For this Hong Kong yo-yo champion, it’s not a toy, it’s artwork

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In April, 24-year-old Leo Chan Matsumoto clinched his third Hong Kong Yoyo Championship (HKYYC) title, cementing his standing as one of many metropolis’s most achieved aggressive yo-yo gamers.

But it isn’t as simple as taking part in “a toy that goes up and down”, he says. “There’s this stigma that a yo-yo is just something that is child’s play, but that’s not true, and I want to change that.”

Chan Matsumoto competes within the 1A division, utilizing a single unresponsive yo-yo – which doesn’t return to the hand with a tug – tethered to his finger. With strict guidelines and scoring programs, the competitors is split into 5 distinct types, from intricate string tips with one yo-yo to routines involving two yo-yos and even offstring play, the place the yo-yo isn’t connected to the string in any respect.

“The judging criteria are very similar to figure skating, actually,” he explains. “It’s 60 per cent technical execution – basically the amount of tricks you do – and 40 per cent musicality. That’s your performance: how well you synchronise with the music, how clean your tricks are, your body use, your stage use – how you manoeuvre on stage.”

Chan Matsumoto describes his personal self-discipline in phrases that will shock outsiders, explaining how it’s a mixture of efficiency artwork and aggressive sport primarily based on choreography, musical interpretation and emotional expression with technical accuracy.


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