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Most studio shooters personal a pile of modifiers and swap them continuously, however a single 48-inch octa can produce gentle, moody, and exhausting mild with out ever leaving the stand. Learning to learn what one modifier does underneath totally different circumstances builds extra management than proudly owning ten of them.
Working out of the studio, Eli Infante runs via three portrait appears to be like utilizing the identical Westcott FJ200 strobe and the Westcott Rapid Box Switch Octa-L as his key. The first setup retains each diffusion panels in place for clear, gentle mild, boomed excessive with the Westcott Easy Boom so he can angle the sunshine down right into a loop sample. A silver reflector fills from under to position a catch mild within the eyes, which the sunshine angle alone would not attain. Infante additionally runs a second strobe behind the mannequin with a grid to construct separation, holding her 4 to 5 ft off the background so it falls right into a clean midtone grey. A fan provides motion to the outfit whereas he shoots.
The re-examination modifications nearly nothing concerning the bodily setup. Infante provides an egg-crate grid to the important thing mild, which narrows the unfold and drops the background right into a darkish, moody grey. That further management prices mild, so he bumps the strobe up a full cease to energy six to get well the publicity. He makes a degree concerning the FJ200’s 250 watt-second output right here: loads of shooters assume they want 400 or 800 watt-second heads for studio work, and he exhibits why that assumption does not maintain for this sort of portrait. The result’s a more durable, extra dramatic body pulled from the very same lighting place because the gentle one.
The third look flips the same old softbox logic on its head. Infante pulls each the inside and outer diffusion baffles off the octa and shoots the naked modifier, producing a hard-edged mild that reads nearly like an optical spot on the background. The energy drop tells the story: with diffusion and a grid he was close to energy seven, and stripped naked the sunshine falls all the way in which to energy three. The key mild now doubles as a background mild, throwing a sample that provides curiosity to the pose. He is aware of some shooters will name the look mistaken, and he leans into it anyway.
Light high quality comes from what sits between the supply and the topic, not from what number of bins you retain in a closet. Diffusion, a grid, and naked output are three distinct instruments residing inside one modifier, and shifting between them modifications all the temper of a body whereas your mild stays put. That strategy suits studio portrait work particularly properly, the place you management each variable and may afford to experiment throughout a single session. Photographers constructing a equipment on a funds can take actual confidence from this, since a modest two-light setup with a superb octa covers way more floor than the spec sheet suggests. Master the modifiers you’ve got before you purchase those you do not.
Watch the total breakdown within the video above to see every look come collectively and determine which of the three you’d shoot your self.
This web page was created programmatically, to learn the article in its authentic location you’ll be able to go to the hyperlink bellow:
https://fstoppers.com/lighting/one-48-inch-octa-three-completely-different-portrait-looks-903947
and if you wish to take away this text from our website please contact us
