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The exhibition includes some 107 items, along with private objects. When going meant coming again, by Spanish photographer Toni Catany, which might be on the Museum of Arts (MUSA) of the UdeG from March 9 to May 20, 2018 as a part of Catalonia’s presence as visitor of honor on the thirty third version of the Guadalajara International Film Festival.
This is a retrospective of the work that the Catalan artist carried out between 1967 and 2012, with some reproductions created between 1983 and 2018 each on his journeys to the Middle East and plates taken in his studio, a few of that are being proven for the primary time.
Antonio Garau, Director of the Toni Catany Foundation and one of many curators of the exhibition, said that after reviewing the 80 analog negatives and 1000’s of digital recordsdata, they determined to omit the oldest works, with the intention of compiling his most up-to-date work and his unpublished plates.
“For the first time, we created an exhibition with an overlap of themes and techniques that would give us an idea of the vital and experimental journey he undertook, not as a technique but as art,” Garau defined at a press convention.
The exhibition is made up of a number of sections that vary from the stage by which the artist developed as a photojournalist, his obsession with the passage of time by means of the sequence “Still Life” – with which he started to be acknowledged worldwide in 1987 –, the portraits he product of inhabitants of India and different nations, and even the change he made out of analog to digital pictures.
“Because of his self-taught background, he was always impressed by primitive techniques and rediscovered little-known photographers. He never rejected innovations and in 2006 he abandoned analog photography to embrace digital,” Garau emphasised.
In the rooms you may see a number of the books revealed along with his work, objects akin to vases, sculptures that he photographed in his studio and wood fish and boats with which he made a sequence associated to fishermen.
Alain D’Hooghe, Vice President of the muse and in addition curator of the exhibition, mentioned that they sought to make “continuous back and forth” about strategies, areas, objects and images, and to foster a “dialogue between the unpublished images and the best known ones”.
Laura Ayala Castellanos, the museum’s Coordinator of Exhibitions and Education, mentioned that the exhibition was a collaborative effort with the Ramon Llull Institute, the Toni Catany Foundation, the Catalonia-La Pedrera Foundation, the Government of Catalonia, the Government of the Balearic Islands, the Barcelona City Council, and MUSA, and that it’ll embrace parallel actions open to the general public akin to a lecture and a poetry recital, and the screening of the documentary. Time and issues about his work, in addition to a museum evening.
Inaugural convention: Remembering Toni Catany. Presented by Antonio Garau, director of the Toni Catany Foundation and curator of the exhibition. March 8, 19:30 p.m. MUSA Gallery. Free admission. Limited seating.
Conference and poetry recital. Taught by: Biel Mesquida, biologist and author initially from Castellón de la Plana, Spain. His literary work has obtained necessary awards, together with the Prudenci Bertrana Prize for his novel The lovely nation the place males need males (1974), written in Catalan, which turned an iconic work for its subversive content material in the course of the Spanish transition to democracy. March 9, 12:00 pm. MUSA Courtyard. Free occasion. Limited capability.
Screening of the documentary: Time and Things. With the presence and commentary of its director, Cesc Mulet. March 11, 12:00 pm. MUSA Hall. Free occasion. Limited seating.
Museum evening. On this event, as a part of the prolonged schedule, a second screening of the documentary might be provided. Time and issues. April 18. Documentary screening: 20:00 p.m. Extended museum hours: 22:00 p.m. MUSA Hall. Free occasion. Limited capability.
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“Think and Work”
Guadalajara, Jalisco, March eighth 2018
Text: Mariana Gonzalez
Photo: Elizabeth Morales
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