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Vesna Pavlović and Tamara Reynolds are featured within the upcoming exhibition Obscuring, Revealing | Contemporary Photography in Nashville set open in October on the Leu Gallery within the Lila D. Bunch Library at Belmont University!
Obscuring, Revealing | Contemporary Photography in Nashville
October 19 – December 04
Reception: October 22 from 4-6pm
Leu Gallery within the Lila D. Bunch Library
Obscuring, Revealing brings collectively a diversified group of Nashville-based photographers who’re testing the boundaries of documentary observe. Through private narrative, formal experimentation, historic allusion, different processes, and even the blurring of truth and fiction, these artists provide complicated and provocative photos of up to date life, ones that immediate reflection on what images makes seen and what it obscures. In doing so, the exhibition highlights the important work being made by photographers in and round Nashville whereas additionally inviting guests to rethink the chances of documentary images.
Exhibiting artists embrace Caroline Allison, Sam Angel, Carolyn Benedict Fraser, Arielle Gray, Allie Horick, Stacey Kranitz, Jack Latham, Armon Means, Vesna Pavlović, Kristine Potter, Tamara Reynolds, and Christine Rogers.
Vesna Pavlovic additionally has a solo exhibition opening with RecRoom, an exhibition area in Eugene, Oregon.
Vesna Pavlović
A Room With a View
RecRoom
October 17 – December 5, 2026
Eugene, OR
“Vesna Pavlović’s art work delights within the process of viewing and in images’s skill to seize a fleeting and singular but structurally grounded view.In No Ordinary Sunset, {a photograph} that opens the artist’s restricted retrospective at RecRoom, a fiery orange solar sinks into the Atlantic Ocean off the coast of Angola creating an intense distinction towards an inky black sea. The {photograph}’s exaggerated depth and unobstructed view make the horizon seem boundless—as if one may watch the solar set on one aspect of the Atlantic and rise on the opposite. This expansive depth of subject evokes the Non-Aligned Movement’s far-reaching imaginative and prescient of worldwide anti-colonial solidarity that when linked Angola, the artist’s native Yugoslavia, and nations throughout the Global South.
Like No Ordinary Sunset, the pictures that comprise the exhibition Vesna Pavlović: A Room with a View showcase the care and perspicacity essential to create charming photos and the attentiveness required to see and consider with discernment. Pavlović’s work is exact in its compositional kind and stability. But in equal measure, her pictures additionally attest to the pleasure of trying and seeing and having fun with a view of a unprecedented sundown, of an impermanent object, of a distant location, of a forgotten historical past, or of an unseen inside. As artwork critic and curator Jelena Vesić places it, Pavlović’s pictures “display things to us.” And accordingly, a part of the work’s attract resides within the vibrant rigidity it produces between seeing, exhibiting, and viewing.
If, because the exhibition’s title suggests, “view” includes one thread that sutures twenty years of Pavlović’s work, then the opposite thread is the room. RecRoom’s home setting accentuates the artist’s enduring engagement with themes of interiority and inside area. Her pictures attend to the nuanced and sometimes shocking familiarity that objects and places can evoke, whereas additionally exploring questions of belonging and the bodily and emotional areas that rouse complicated emotions of dwelling. In doing so, Pavlović captures interiors and objects—with the Serbian phrase objekt denoting each a constructing and a factor—in a approach that interweaves the architectural with the affective, binding collectively private, structural, and political sensibilities. “ Nicoletta Rousseva, Vesna’s Views, exhibition essay
Illustration by Monika Lang
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