Milan hosts 115 works by Italian and worldwide masters

At Palazzo Fagnani Ronzoni, from Oct. 8 to Dec. 20, the exhibition Il Colore presents 115 images by 32 Italian and overseas authors, the primary chapter of the venture “I tempi dello sguardo,” which investigates ninety years of Italian images in two acts.

Milan is making ready to host probably the most intensive and articulate images initiatives lately, with the opening of the exhibition Il Colore (Color), scheduled from Oct. 8 to Dec. 2025 at Palazzo Fagnani Ronzoni. The exhibition, curated by THE POOL NYC, constitutes the primary chapter of the venture I tempi dello sguardo. 90 Years of Italian Photography in Two Acts, which goals to reconstruct an total panorama of nationwide and worldwide images of the twentieth century, articulated in two consecutive moments. The total venture contains 194 works by 55 authors, each Italian and overseas, who helped outline the historical past of images by means of their imaginative and prescient and aesthetic method.

The title refers back to the authors’ consideration to the chromatic element as a particular ingredient of their work and on the similar time invitations the general public to get better a extra reflective time of commentary, away from the excesses of latest visible manufacturing. The exhibition provides an itinerary of 115 images signed by 32 artists, wherein the experimentation with colour turns into a stylistic cipher and narrative device. Among the Italians, historic names equivalent to Luigi Ghirri, acknowledged for his capability to convey stillness and light-weight in his landscapes, and Giovanni Chiaramonte, whose focus is on the hidden locations of Venice, stand out. Franco Fontana, recognized for his geometric city visions of the Nineteen Seventies and extra summary collection equivalent to Piscina, interprets the panorama by means of colour fields, reworking Italy right into a form of visible laboratory.

The exhibition itinerary additionally contains Guido Guidi, whose images is characterised by the dimension of expectation and reflection, and Mario Schifano, who transfers the expressive freedom of portray into images whereas sustaining fixed experimentation with kind and colour. Paolo Gioli makes use of photographic materials as an actual materials to be formed, experimenting with alchemical strategies and manipulations that remodel pictures into tangible objects. Leonardo Genovese captures fragments of actuality by means of intense and revealing mild, documenting pure phenomena such because the Lucanian “controra,” able to etching our bodies and deforming appearances. Finally, Rita Lintz transforms discarded parts into aesthetic objects, giving new dignity to salvaged supplies. The exhibition additionally integrates works by worldwide artists, together with Denis Brihat, Wim Delvoye, Claus Goedicke, Béatrice Helg, John Hilliard, Tracey Moffatt, Jiang Zhi, and Wang Qingsong.

The second act of the venture, scheduled from Jan. 16 to Feb. 28, 2026, might be devoted to Black and White and can current distinguished Italian authors equivalent to Renato Di Bosso, Alfredo Camisa, Mario De Biasi, Mario Giacomelli, Antonio Biasiucci, Franco Vaccari, Mario Cresci, Luigi Erba, and Andrea Galvani, in dialogue with worldwide photographers, together with Elliott Erwitt, Jan Groover, Horst P. Horst, Michael Kenna, William Klein, and Minor White. The intent is to supply a comparability between completely different generations and approaches, highlighting how the language of images has developed over time whereas sustaining factors of stylistic and conceptual continuity.

Throughout the opening interval of the exhibitions, Palazzo Fagnani Ronzoni may even host a collection of collateral initiatives designed to deepen the exhibition themes. There might be conferences with artists, historians and critics of images, guide shows and themed evenings that can permit the general public to enter into direct dialogue with the protagonists of the photographic scene. The venture thus confirms the centrality of Italian images on the earth artwork scene, highlighting how analysis on colour and expressive strategies has accompanied the development of a visible language able to affecting the general public and the historical past of the self-discipline.

Among the artists featured within the first exhibition are Denis Brihat, Vincenzo Castella, Giovanni Chiaramonte, Mario Cresci, Wim Delvoye, Cosimo Di Leo Ricatto, Franco Fontana, Vittore Fossati, Andrea Galvani, Leonardo Genovese, Luigi Ghirri, Luca Gilli, Paolo Gioli, Claudio Gobbi, Claus Goedicke, Guido Guidi, Béatrice Helg, John Hilliard, Jiang Zhi, Luisa Lambri, Rita Lintz, Marcello Mariana, Tracey Moffatt, Brigitte Niedermair, Wang Qingsong, Mario Schifano, Davide Tranchina, Luigi Veronesi, Cuchi White, Silvio Wolf, Marco Zanta. The presence of such numerous authors permits us to seize the numerous aspects of colour images, from transfigured landscapes to conceptual manipulations of photographic materials, presenting a complete and articulate studying of the medium.

Color in Photography: Milan hosts 115 works by Italian and worldwide masters

Warning: the interpretation into English of the unique Italian article was created utilizing automated instruments.
We undertake to evaluate all articles, however we don’t assure the entire absence of inaccuracies within the translation as a result of program. You can
discover the unique by clicking on the ITA button. If you discover any mistake,please contact us.