Artemis II Astronauts Made Most of Professional Pictures Coaching

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HOUSTON, April 15 (Reuters) – The two skilled images instructors who educated Artemis II ⁠astronauts ⁠to take footage of the moon and Earth ⁠throughout their historic lunar flyby stated they had been as impressed as the general public by the beautiful celestial imagery caught ​on digicam.

NASA images and video trainers Paul Reichert and Katrina Willoughby stated they gave the crew roughly 20 hours of particular instruction main as much as the April 1 launch of ‌the mission, which marked the primary voyage of ‌people to the moon in additional than half a century.

Willoughby and Reichert are each graduates of the distinguished Rochester Institute of Technology’s photographic sciences program.

“Most people can use ⁠a camera and ⁠get a photo that is good enough, but good enough isn’t what we’re after scientifically,” Willoughby stated ​on RIT’s information web site.

Mission pilot Victor Glover has stated the crew’s coaching included on-the-ground drills by which astronauts practiced capturing footage from inside a mock-up of the Orion capsule utilizing a large inflatable moon globe suspended at nighttime.

Selecting the suitable instruments for the job was key to their success.

The Nikon D5, a digital single-lens reflex mannequin launched in 2016, was ​the workhorse digicam utilized by the crew. Reichert stated the D5, used for years on the International Space Station, had confirmed it will stand up to ⁠radiation and ⁠different extremes of area journey.

“We had ⁠a lot of flight experience ​with it,” Reichert advised Reuters in Houston on Tuesday. “We knew it could handle radiation, at least several years of radiation dosage on the ISS, ​and it didn’t have any problems with ⁠it.”

Another advantage of the D5 was its exceptional performance in low light — a necessity for capturing crisp images in the inky blackness of space.

One piece of camera equipment used by the Artemis II astronauts is familiar to many amateurs – an iPhone. Willoughby said Apple’s iPhone 17 Pro Max was a late addition to the Artemis equipment list. While the handheld, point-and-shoot nature of the phones was useful, the large digital file sizes of the images posed a transmission challenge.

“One factor we do have to consider on ⁠board is, ‘What does it take to get recordsdata down?'” Willoughby said. “And sadly, we do not have bandwidth. And that is one thing a ⁠lot of individuals down right here [on Earth] are actually used to immediately having.”

STRIKINGLY DETAILED STUDIES

Among the more dazzling photos captured by the Artemis crew was an image taken from the moon’s far side showing it totally eclipsing the sun, with a soft glow around the blackened orb faint enough to leave pinpoints of light from stars in the adjacent heavens still visible in the darkness.

The images also included strikingly detailed studies of the moon’s heavily cratered far side, as well as moments in which Earth, dwarfed by the crew’s record distance from the planet, set and rose with the lunar horizon as they flew around the moon.

Unlike lunar missions from the Apollo era of more than 50 years ago, Artemis II astronauts benefited from instantly being able to review the digital photos they took, a far cry from the substantial lag time required for developing the conventional ⁠film stock that was once used. Moreover, GoPro livestreaming video gave modern Earth audiences a real-time view of space exploration.

Willoughby said the exhilaration on the ground at mission control in Houston during the April 6 lunar flyby was palpable. 

“And the excitement in the back rooms and the front rooms as the images were being seen and being put out was pretty good. We were all very excited,” Willoughby stated.

Besides the D5, the ​crew additionally utilized a Nikon Z9 mirrorless digicam and several other lenses, together with a 14-24mm zoom, 80-400mm zoom and a normal ​35mm.

(Reporting by Evan Garcia in Houston; Editing by Steve Gorman and Kate Mayberry)

Copyright 2026 Thomson Reuters.


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