‘Street Safari’ by Alan Schaller Finds Humanity in Animals

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A black and white photo of a waterbird with wings outstretched, landing or taking off on rippling water, creating a splash against a dark, minimalist background.
London, 2025. | Photo by Alan Schaller

Photographer Alan Schaller’s first e-book, Metropolis, explored the isolation of residing within the massive metropolis, a somber topic. His second e-book, nonetheless, ought to convey out a couple of extra smiles.

Street Safari, produced by Irys Publishing, is filled with footage that also boast Schaller’s signature black and white, contrasty fashion. However, the subject material is about critters he encounters on the road.

“I didn’t set out to make a book about animals,” Schaller tells PetaPixel. I simply began gathering sufficient footage, and I began taking a look at them, and I assumed, ‘you know what, I think some of my best pictures are of animals’.”

A black swan and a white swan swim on a calm, reflective body of water, creating ripples. The image is in black and white, with strong contrast between light and shadow.
London, 2022.
A man stands beside an elephant, lifting the animal’s trunk over his head with both hands. The scene is in black and white, and they are in a walled outdoor area.
Jaipur, 2017.

While the theme of the e-book could also be non-human, Schaller says that photographing animals usually serves as a bridge to folks. He cites a time he was photographing cats within the Atlas Mountains, Morocco.

“People were all saying no, [you can’t photograph me],” he says. “And there were these stray cats and I was giving them water and photographing them. People came up to me and said, ‘oh, you’re very kind.’ Then this guy played a song for me on his violin.”

Schaller says the candy however barely bizarre second meant that he did get to {photograph} the folks there.

“It can be a way of getting in on the human level and finding some common ground,” he provides. “‘Oh, if he likes animals, he can’t be such a bad guy.’ It’s a way of building trust with people.”

Schaller, who’s from the U.Okay., says that in the event you cease somebody on the road in London and ask for an image, there’s a 90% likelihood they’ll say no. But in the event you ask to take an image of their canine, there’s a 90% likelihood they’ll say sure.

A pigeon walks on snowy ground beneath a horse and carriage in a city. Snow is falling, and people with umbrellas are visible in the background.
New York, 2019.
A sea lion rests on a wet dock with water droplets around it; in the background, people and a fishing boat are visible under a cloudy sky.
Cape Town, 2023.

Pigeons are certainly one of Schaller’s favourite animals to {photograph}. “I always say to photographers, ‘You know, you see those profiles online where it’s like a guy photographing women who aren’t wearing many clothes and their whole portfolio is just models, basically.’ I’m like, ‘Great, but if you can take a picture of a pigeon that’s interesting to people, then I’ll be impressed, you know?’”

Animals will be humorous to {photograph}; certainly one of Schaller’s inspirations for the e-book is Elliot Erwitt, whose most well-known road pictures embrace canines.

“Humor in street photography is one of the hardest things,” Schaller says. “There are a couple of pictures in the book that I’ve noticed people laugh at, which makes me really happy.”

“It’s very easy to make someone look at a picture of geometry and go interesting. But to make someone actually laugh at a photograph is quite rare and something that I find I access more through my animal photography than anything else.”

A dog leaps high in the air to catch a ball while a person with a tennis racket stands on a wet beach. The scene is in silhouette against the sky.
Tel Aviv, 2017.
A heron takes flight from the edge of a calm river, its wings spread wide and reflected in the water. The background shows trees and blurred outlines of boats. The image is in black and white.
London, 2021.

Irys Publishing

Schaller is likely one of the foremost photographers on Instagram, having grown quickly since becoming a member of in 2015. But final 12 months, Schaller introduced he was launching a brand new, photo-centric platform known as Irys, as a direct response to massive tech’s pivot towards video.

Street Safari is Irys Publishing’s first title, however greater than that, he hopes that it’s going to grow to be a brand new mannequin for a way photographers get their work printed.

“I, like many photographers, have been through the process of releasing a book with one of the big publishers,” Schaller tells PetaPixel. “And the whole industry is just rigged towards the publishers and the distributors. So I thought, Well, let’s see if that could be changed a little bit.”

“It’s similar to why the app was made,” he continues. “I felt like publishing needed to be approached from a photographer’s perspective. We’re the ones creating the content, building our audiences, and ultimately selling the books, so giving up more than 90% of the royalties just to cover printing costs seems a bit insane. I know a lot of photographers who agree with that.”

A dog shakes off water near a pond, creating a dramatic spray of droplets captured in the sunlight.
Berlin, 2018.
An open book on pebbles shows a fluffy white dog on the left page and a man with a cat and a kitten on his shoulders on the right page. Both images are in black and white.
From ‘Street Safari.’

Schaller says it’s been pretty simple to arrange a printing cope with an Italian provider and he’s hoping that Street Safari would be the first of three books launched by Irys this 12 months. The endeavor will generate income for the Irys app because it continues to develop.

For his earlier e-book, Metropolis, he obtained some damaging scores on Amazon and it was all to do with one thing outdoors of his management: the packaging.

“So for my first book with my name on it to go out and arrive trashed was absolutely disheartening,” he says.

“This stuff is just too difficult to raise with the large publishers because they’re like a conveyor belt, it’s your project, then it’s the next project, and it’s the next project. There’s no personal care.”

“If someone spends $50 to $100 on a book, it’s got to arrive in a good state,” he provides. “So yeah, taking all of these things in-house has been something that has given me peace of mind for the release of Street Safari.

A yellow book titled "Street Safari" by Alan Schaller rests on a stone surface, with a blurred stone wall and blue sky in the background. The book cover features a black-and-white photo of two swans on water.

Street Safari is out now and obtainable by way of the Irys Publishing website. More of Schaller’s work will be discovered on his Instagram, Flickr, YouTube, and website.


Image creditPhotographs by Alan Schaller




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