A 12-year-old casualty of conflict recovers in hospital: Alessio Mamo’s greatest {photograph} | Artwork and design

This web page was created programmatically, to learn the article in its authentic location you may go to the hyperlink bellow:
https://www.theguardian.com/artanddesign/2026/jul/22/a-12-year-old-casualty-of-war-recovers-in-hospital-alessio-mamo-best-photograph
and if you wish to take away this text from our website please contact us


When I began to take images about 18 years in the past, I used to be extra within the aesthetics. Then got here a second once I realised the facility of the digicam as a device. On 3 October 2013 there was an enormous shipwreck off the coast of Lampedusa. More than 250 migrants from Eritrea misplaced their lives. I used to be despatched to cowl the occasion, and it was throughout that project that I understood I used to be eager about telling tales about social injustice, about individuals’s lives post-conflict.

At first I labored totally on tales about refugees in Sicily, the place I’m from, however a number of years later I had the chance to journey to the Middle East with a pal, the journalist Marta Bellingreri, who’s an knowledgeable on the area. She was residing in Jordan and I joined her there for six months . That is how our venture, The Hospital of All the Wars, concerning the sufferers on the Médecins Sans Frontières Al-Mowasah hospital in Amman, started.

At Al-Mowasah hospital they deal with sufferers from throughout the area: Iraq, Gaza, Yemen, Syria, Lebanon. They agreed to allow us to spend a number of months there; we might go to thrice per week. We knew we would have liked time to inform the tales of those individuals, to spend time with the sufferers, their households, the medical doctors and nurses. We acquired to know Manal – she and her mom already knew about our venture and we determined to ask if she was completely satisfied for us to {photograph} her.

She is a gorgeous, wonderful lady. She was 12 on the time. She has suffered extreme burns to her arms and face after a missile explosion in Kirkuk in Iraq. She had intensive surgical procedure and must put on the masks you see on this image for round 5 hours a day, to guard her face from gentle. You may see within the room round her the drawings she made, her balloon beneath her arm. Manal had many buddies on the hospital, and beloved telling tales, in addition to participating within the many organised actions for youngsters there.

Like lots of the sufferers, she was present process long-term remedy and residing within the hospital for a variety of months. But in some ways she appeared to me like an everyday younger lady. We had a terrific connection along with her and her mom, and the shoot was like a recreation with Manal. Her mom provided us Iraqi sweets and biscuits. The portrait was made fairly spontaneously. It received an award on the World Press photography prize in 2018.

I’m very grateful to Manal and I’m nonetheless in contact along with her and her household – final yr I went to go to her in Kirkuk, the place she resides along with her uncle. She is nineteen now.

This portrait impacts me significantly powerfully as even in the present day, a number of years after the work I did within the MSF hospital in Amman, youngsters stay among the many major victims of conflicts. Today greater than ever, having not too long ago turn into a father, I really feel this side of kids’s struggling in battle zones is more and more pressing. This is why I’ll quickly be travelling to Beirut with the Guardian to work on a venture about youngsters harmed by the continuing conflict. An enormous quantity have been wounded in latest months in Israeli assaults.

Of course, it is a topic that’s actually troublesome to {photograph}. I really feel an enormous quantity of anger seeing youngsters endure. I attempt to channel what I see, and the anger I really feel, into my work, whereas all the time attempting to do my greatest within the hope that these tales can elevate consciousness amongst as many readers as potential.

It’s essential to maintain telling these tales as a result of the second we cease, and permit them to go unheard, we are going to stay in a world the place no one cares concerning the struggling of the much less lucky. And that isn’t a world I would like my daughter to develop up in. My hope is that my work, together with that of many photojournalists masking related points, can plant small seeds and open small home windows of consciousness – seeds which may at some point take root and construct a crucial mass.

Photograph: Oleg Solokha

Alessio Mamo’s CV

Born: Catania, Sicily, 1976
High level: Winning two World Press Photo awards. The first in 2018 with this image of little Manal.
Top tip: Give your self 5 years earlier than giving up the job!




This web page was created programmatically, to learn the article in its authentic location you may go to the hyperlink bellow:
https://www.theguardian.com/artanddesign/2026/jul/22/a-12-year-old-casualty-of-war-recovers-in-hospital-alessio-mamo-best-photograph
and if you wish to take away this text from our website please contact us