This pristine pictures studio in Geneva is likely one of the most minimal areas we have seen

This pared-back pictures studio in Geneva is the brainchild of native follow Sapid Studio, created for younger artists Alicia Dubuis and Roman Lusser. Known as Studio 18%, it completely captures the duo’s aesthetics: Lusser specialises in easy but heat portraits, whereas Dubuis attracts inspiration from midcentury cinema and brutalist structure for her delicate compositions that exude a way of softness.

Set on the bottom ground of an industrial constructing a brief drive from Geneva Airport, Studio 18% may simply simply have been a warehouse like all of the others discovered within the space, however for the efforts of Sapid Studio, a Swiss structure and design agency co-founded by Cécile-Diama Samb and Michael Piderit.

Sapid Studio specialises in hospitality interiors, furnishings design and small-scale structure, and its output is characterised by a rigorous consideration to element, as is made obvious by its work for Studio 18%. Here, they inserted a sublime mezzanine into the massive area with 8 m excessive ceilings, turning it right into a extremely useful and effectively thought-through studio.

For this challenge, Sapid Studio has centered its care and precision on lighting situations, with your complete palette designed across the high quality of sunshine, to make sure no colors have been mirrored into the studio area, creating a great clean slate. Throughout, galvanised metal grating panels and railings play with transparency, performing as minimalist screens to obscure some particulars and reveal others.

‘The spaces are all envisioned with absolute flexibility in mind, to allow for a multitude of uses during photoshoots,’ clarify the architects. ‘It is the subtlety of the material palette along with its elevated industrial character that provides a backdrop for creative productions to take place within.’

The sectional door opens onto a 190 sq m full manufacturing studio with a cyclorama (a curved, seamless background wall to create the phantasm of an infinite area). At the entrance is a kitchen and a hanging staircase resulting in the Glulam timber and plywood mezzanine, which homes quite a lot of manufacturing desks, styling areas and altering rooms with built-in desks and storage.

‘Our production desks can accommodate up to three producers and offer a direct view on the cyclorama, allowing the team to follow the set while working on their laptop,’ clarify the photographers. ‘The interior becomes a backdrop for production sets to come alive and become the protagonists of the space.’