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Nameless pictures that change the sport of authorship. The exhibition “What remains when the name changes” causes a conflict between what we see and what we predict we see.
This challenge by Lluc Queralt is positioned within the foyer of the CRAI Campus Catalunya, from May 19 to June 5, 2026, and proposes a brand new perspective on nameless pictures collected from second-hand markets around the globe.
An exhibition that questions authorship and the worth of the picture
Origin and choice of the images
Lluc Queralt has gathered for over twenty years photographic photos with out recognized authors, present in second-hand markets in every single place.
These items, seemingly devoid of context, change into the place to begin for a visible experiment that challenges the normal idea of authorship.
The gesture of appropriation as a key to interpretation
The challenge assigns names of acknowledged photographers, comparable to Henri Cartier-Bresson or Diane Arbus, to the nameless pictures.
This change generates an unsettling stress: what weighs extra, what we see or the identify accompanying the picture?
The invitation to rethink the connection between picture and that means
A visible essay that challenges belief
The exhibition presents itself as a visible essay that questions the legitimacy and worth of pictures in a context the place photos typically flow into and not using a clear origin.
The customer turns into an energetic half, invited to look twice and query what appears evident.
Constructing meanings from doubt
In this house of mistrust, the connection between identify, picture, and writer is dismantled and rebuilt.
Thus, the exhibition provokes reflection on the gaze, authorship, and the worth we assign to photographs.
Practical particulars and reactions to the exhibition
Location and schedule
The exhibition is open to the general public within the foyer of the CRAI Campus Catalunya, from May 19 to June 5, 2026.
This location permits quick access for college kids, lecturers, and guests thinking about artwork and pictures.
Impact and viewers response
The proposal has captured consideration for difficult the standard notion of pictures and for inviting the viewers to take part in its that means.
The alternate between writer and spectator turns into the engine of the exhibition, which leaves nobody detached.
An exhibition that, greater than explaining, forces one to ask what stays when the identify now not defines the picture.
Source of the article: Universitat Rovira i Virgili
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